tre ici est une splendeur Vie de Paula M Becker
Paula Modersohn-Becker voulait peindre et c’est tout. Elle était amie avec Rilke. Elle n’aimait pas tellement être mariée. Elle aimait le riz au lait, la compote de pommes, marcher dans la lande, Gauguin, Cézanne, les bains de mer, être nue au soleil, lire plutôt que gagner sa vie, et Paris. Elle voulait peut-être un enfant – sur ce point ses journaux et ses lettres sont ambigus. Elle a existé en vrai, de 1876 à 1907.
An in-depth look at the work and career of this fascinating artist, who is having a profound impact on contemporary painting. Nigel Cooke is known for his complex paintings, which thematically explore the meeting point between creative labour, consciousness, art history, consumer culture, and nature. Primarily centred on meticulously painted, large-scale urban landscapes, which he calls 'hybrid theatrical spaces', Cooke's work employs disparate styles, often integrating trompe l'oeil miniature rocks and trees with backdrops of graffiti-marked buildings, to create scenes conveying obscure and macabre narratives. This survey of Cooke's career to date explores the artist's style, approach, and impact on contemporary art and includes his very latest works, completed shortly before publication.
A woman walks out on her life, taking only her young daughter. She drives down to the seaside and they spend the first night camping out on the beach. They then settle in a small town and make new friends, but one is a private investigator.
National Best Seller From the National Book Award–winning author of Just Kids: an unforgettable odyssey of a legendary artist, told through the prism of the cafés and haunts she has worked in around the world. It is a book Patti Smith has described as “a roadmap to my life.” M Train begins in the tiny Greenwich Village café where Smith goes every morning for black coffee, ruminates on the world as it is and the world as it was, and writes in her notebook. Through prose that shifts fluidly between dreams and reality, past and present, and across a landscape of creative aspirations and inspirations, we travel to Frida Kahlo’s Casa Azul in Mexico; to a meeting of an Arctic explorer’s society in Berlin; to a ramshackle seaside bungalow in New York’s Far Rockaway that Smith acquires just before Hurricane Sandy hits; and to the graves of Genet, Plath, Rimbaud, and Mishima. Woven throughout are reflections on the writer’s craft and on artistic creation. Here, too, are singular memories of Smith’s life in Michigan and the irremediable loss of her husband, Fred Sonic Smith. Braiding despair with hope and consolation, illustrated with her signature Polaroids, M Train is a meditation on travel, detective shows, literature, and coffee. It is a powerful, deeply moving book by one of the most remarkable multiplatform artists at work today. From the Hardcover edition.
Lola Bensky is a nineteen-year-old rock journalist who irons her hair straight and asks a lot of questions. A high-school dropout, she's not sure how she got the job – but she's been sent by her Australian newspaper right to the heart of the London music scene at the most exciting time in music history: 1967. Lola spends her days planning diets and interviewing rock stars. In London, Mick Jagger makes her a cup of tea, Jimi Hendrix (possibly) propositions her and Cher borrows her false eyelashes. At the Monterey International Pop Festival, Lola props up Brian Jones and talks to Janis Joplin about sex. In Los Angeles, she discusses being overweight with Mama Cass and tries to pluck up the courage to ask Cher to return those false eyelashes. Lola has an irrepressible curiosity, but she begins to wonder whether the questions she asks these extraordinary young musicians are really a substitute for questions about her parents' calamitous past that can't be asked or answered. As Lola moves on through marriage, motherhood, psychoanalysis and a close relationship with an unexpected pair of detectives, she discovers the question of what it means to be human is the hardest one for anyone—including herself—to answer.
Salvator Rosa in French Literature
" Salvator Rosa (1615–1673) was a colorful and controversial Italian painter, talented musician, a notable comic actor, a prolific correspondent, and a successful satirist and poet. His paintings, especially his rugged landscapes and their evocation of the sublime, appealed to Romantic writers, and his work was highly influential on several generations of European writers. James S. Patty analyzes Rosa’s tremendous influence on French writers, chiefly those of the nineteenth century, such as Stendhal, Honoré de Balzac, Victor Hugo, George Sand, and Théophile Gautier. Arranged in chronological order, with numerous quotations from French fiction, poetry, drama, art criticism, art history, literary history, and reference works, Salvator Rosa in French Literature forms a narrative account of the reception of Rosa’s life and work in the world of French letters. James S. Patty, professor emeritus of French at Vanderbilt University, is the author of Dürer in French Letters . He lives in Nashville, Tennessee.
Tom is Dead
In its original French, Tom Est Mort was nominated for the Prix Femina and the Prix Goncourt. This edition is translated by Lia Hills. Tom died when he was four. To stop herself from forgetting him, his mother tries to write Tom's story, the story of his death. She strives to describe it all as precisely as possible. It's the details that will lead her and the reader to the truth. Set in the Blue Mountains and in Sydney, Tom is Dead is a suspense novel in which Darrieussecq takes us to the core of grief and drives this narrator's experience into our hearts. 'There are very few writers who may have changed my perception of the world, but Darrieussecq is one of them.' The Times
My Phantom Husband
What would you think if your husband, one day, with no word of explanation or warning, vanished? When would you begin to panic - the first hour, the first night? A deceptively simple story about a deserted woman, My Phantom Husbandis Marie Darrieussecq's eerie follow-up to Pig Tales, showing her to be a writer of great subtlety and depth. When her husband goes to buy fresh bread and never returns, the young narrator's life changes for ever. Night after night she has to learn to be alone, to sleep alone, to live in a space she has shared with a man for seven years. Yet who was he, her husband, and did they really have much in common? Why can't she remember her love for him - or even what he looked like? Dragged into a world of visions, she is besieged by childhood terrors - monsters behind the furniture, vampires floating around in the dark, strangers walking in other rooms. She begins to see her husband, or an apparition of him. Is he a supernatural visitation or the product of madness - or a figment of her guilty conscience? My Phantom Husband is a profoundly unsettling parable about the way love appears and disappears, about the absences and evasions that can lie hidden in any relationship.
Fridays at Enrico s
Don Carpenter was one of the finest novelists in the West. His first novel, A Hard Rain Falling, published in 1966, has been championed by Richard Price, and George Pelecanos called it “a masterpiece . . . the definitive juvenile-delinquency novel and a damning indictment of our criminal justice system.” His novel A Couple of Comedians is thought by some the best novel about Hollywood ever written. Fridays at Enrico’s is the story of four writers living in Northern California and Portland during the early, heady days of the Beat scene, a time of youth and opportunity. This story mixes the excitement of beginning with the melancholy of ambition, often thwarted and never satisfied. Loss of innocence is only the first price you pay. These are people, men and women, tender with expectation, at risk and in love. Carpenter also carefully draws a portrait of these two remarkable places, San Francisco and Portland, in the ’50s and early ’60s, when writers and bohemians were busy creating the groundwork for what came to be the counterculture. The complete penultimate manuscript forgotten since the author’s death, was recently discovered, and we’re thrilled to see this book into print.